47, repr.Lot: 1 - CRISTOFANO DI MICHELE MARTINI, IL ROBETTA The Adoration of the Magi.ĬRISTOFANO DI MICHELE MARTINI, IL ROBETTAĮngraving, circa 1496-1500. Martin Schongauer, 《Christ Blessing the Virgin》. 1994 Annual bulletin of the National Museum of Western Art. 1991 Martin Schongauer: das Kupferstichwerk (exh. Dresden, Staatliche Kunstsammlungen, 1991, No. Kupferstich-Kabinetts der Staatlichen Kunstsammlungen, Dresden, 17 February - 7 April 1991. 1991 Martin Schongauer zum 500 Todestag(exh. 1991 Der hübsche Martin, Kupferstich und Zeichnungen von Martin Schongauer (exh. Musée du Petit Palais, Paris, 14 November 1991 - 16 February 1992. 1991 Martin Schongauer: maître de la gravure rhenane vers 1430-1491 (exh. Geschichte und kritischer Katalog des deutschen, niderländischen und französischen Kupferstiches im 15. Washington, The National Gallery of Art, 1967 , no. 1967 Fifteenth Century Engravings of Northern Europe from the National Gallery of Art, Washington, D.C.(exh. Berlin, Deutscher Verein für Kunstwissenschaft, 1956, pp. 51 1997 Resonating Love and Life: European Art from National Museum of Western Art, Tokyo, The Niigata Prefectural Museum of Modern Art, Nagaoka, 12 April 1997 - 18 May 1997, cat. Jahrhunderts, The National Museum of Western Art, Tokyo, 25 June 1991 - 18 August 1991, cat. Exhibition History 1991 Martin Schongauer und der deutsche Kupferstich des 15. Rumbler, Frankfurt Purchased by the NMWA, 1991. The iconography could have been inspired by a relief sculpted on the tympanum above the southern entrance to a church at the height of the Gothic period.
This engraving is done on a more or less square plate and is characterized by the way the two figures are positioned on both sides of the throne to form an extremely explicit symmetry.
Three angels are watching over from behind the throne. Christ and the Virgin are seated next to each other on a celestial throne.
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